Saturday, 23 April 2016

Gingerbread by Robert Dinsdale

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This is another beautifully written book: Gingerbread by Robert Dinsdale, is a wonderfully eloquent and genuinely disturbing contemporary fairy tale which is also as old and as wide as the forest into which we venture, fearing the wolves in men's clothing; the wolves in all of us, even those we love and trust the most.

This is an often heart-rending story about trauma and love, about memory and forgetting, about the past and the present, about trying to keep impossible promises, and is above all a wonderfully-written, frequently nightmarish story, as well as a thoroughly gripping read.

Saturday, 16 April 2016

At Hawthorn Time by Melissa Harrison


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This book caught my eye while I was browsing the library shelves because I'd previously read - and absolutely loved - Melissa Harrison's previous novel, Clay.

At Hawthorn Time did not disappoint: whilst, in some respects, Jack and Jamie reminded me of the central two characters in Clay, it was the style of her writing as much as the theme of the misunderstood which echoes through both novels here, and the intense and believable truth she evokes in her characters.
Harrison steeps her stories in nature in both novels, and it is in At Hawthorn Time that this is more explicit and intimately, outstandingly successful.  Another beautiful, beautiful novel, evocative, intense, and deeply moving.

Wednesday, 13 April 2016

All The Light We Cannot See by Anthony Doerr

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Anything I try to write about this novel will fail to do it justice.

It's a story about a blind French girl, her father, her uncle and his housekeeper; it's also a story about a German boy, his sister, and his friend; it's about miniature hand-carved houses which hold secrets, it's about snails, and it's about a blue diamond with a swirl of fire at its heart.

All The Light We Cannot See is a novel about light, and radio waves, and trying to be true to yourself and others, and keeping promises. It's also one of the most beautiful and devastating books I have ever read. I have swept all other books off my shelves and replaced them with this one.

Monday, 1 February 2016

The Yellow Birds by Kevin Powers - an unforgettable journey

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The Yellow Birds, Kevin Powers. This book. This book. I have never taken so long to read such a short book. Not because it was one of those books not worth the time, but because this book is worth the time.
Not a page went by I didn’t take in a breath and go back and read it again, even more slowly, sometimes many times before I could move on. It is a beautifully written, mesmerising book. It is also utterly devastating. It should be essential reading for anyone responsible for starting a war, and for anyone thinking of starting one, and for everyone in between. It is about the intimate experience of war, about the failure of memory to make sense of it, and about the necessity of trying to do just that. It is a psychological journey and is also a philosophical one – about choice, about memory, about trying to live and live on, but most of all it is about the disintegration war reaps at every level.
While there may be some faces missing from the last pages which I felt should have also been present in the shadows beneath the trees or traced along the lines of a map, this book leads you on an unforgettable journey, along a path of fires burning in the dust.

Sunday, 30 August 2015

The Confabulist - Steven Galloway

I've been reading a lot of fabulous books just lately, so I thought I'd pass it on... 

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The Confabulist – Steven Galloway

I’m not sure what I expected from this book having read and loved Steven Galloway’s The Cellist of Sarajevo a few years ago. What I got with The Confabulist is a haunting tale of memory and loss, of the impossibility of living outside of the past we tell ourselves and the future we try but fail to mould. The Confabulist is a re-telling of Houdini and the man who killed him, Martin Strauss, but it's much more than that: the tale entraps you, weaving its bonds, and even if you can see it coming this compelling novel is particularly haunting because, in the end, in the gut-punch end, you know it’s your story that Martin Strauss is telling, and your time is up.